|InfoVis.net>Magazine>message nş 142||Published 2004-03-15|
|También disponible en Espańol|
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Iâ€™ve been considering for a long while about whether to write, or not, this article about the visualisation of the information we have about the terrorist massacre that occurred in Madrid last March, 11th.Â
On one hand it seemed to me too cold to start thinking about the technical aspects of the visualisation of this execrable event when so many families are destroyed right now. On the other hand it was very difficult to imagine this weekâ€™s newsletter related to something apart from this sad fact that has moved all of us and, in my personal case, caught me on one of the few days of the year I spend in Madrid, something that has made me feel even closer and more committed.
Finally Iâ€™ve decided to write it with the spirit that it served, if this is possible, as a humble contribution to the homage that so many people and so many families, that have seen their future irrationally cut short by a brutal and incomprehensible terrorism, deserve.
Such a cruel and massive attack as the one we have lived through these last few days has multiple facets. All of us are trying to extract information that allows us to understand how it happened, what effects it has had and what effects it will have, since itâ€™s doubtful that we will ever be able to understand why someone can carry out such an outrage.
The events have been covered widely by the Spanish media, which have some of the best teams of information graphics and visual journalism worldwide. Among them you can find the teams of newspapers like â€śEl Mundoâ€ť, â€śEl PaĂsâ€ť or â€śLa Voz de Galiciaâ€ť, all of them awarded for their excellent graphics and animations.Â
Most of the animations that I have had the opportunity to see follow the same layout: a map of the zone of Madrid where the attacks took place showing the evolution of the trains on their journey to Atochaâ€™s railway station, the other railway stations where they stopped and the macabre result of the explosion in each and every train.
The excellent animations of â€śEl Mundoâ€ť are maybe the most complete among the ones Iâ€™ve seen. â€śEl PaĂsâ€ť animations, that can normally only be seen by subscription, opened its electronic edition for two days in which we could see slightly simpler animations but with logical sequence similar to that of â€śEl Mundoâ€ť. â€śLa Voz de Galiciaâ€ť showed an animated graphic in its on-line edition, less complete than the two former ones but still very effective. In any one of these animations it is very easy to quickly understand the sequence of events along with their tragic consequences.
More difficult to do, to our opinion, and also more difficult to find has been the visualisation of the civic response of the people of Madrid and of the rest of Spain, that supplied the lack of blood supply, with massive donations that quickly made it necessary to stop the donations because of an excess of donors.Â
In this regard thereâ€™s an interesting page that appeared in the paper edition of â€śLa Vanguardiaâ€ť, that summarises the blood donations made in Spain on Friday 12th along with information about the impact of the massive demonstrations against terrorism, the drop in the usage of the railway and the decrease of energy consumption during the 15 minutes of silence to honour the victims that took place at 12 a.m. on Friday in the whole of Spain.
Finally, â€śEl PaĂsâ€ť, in its Saturday 13th edition, publishes an information graphic with several panels that capture the process of identification of the deceased by their families, supported by psychologists, social workers, forensic scientists and scientific police experts. Especially frightening is the bluntness of the last panel that makes use of the ISOTYPE techniques (invented by Otto & Marie Neurath in 1924) to show the people found dead in a row of 199 bodies, 153 in black (the identified ones) and 46 in white (still without identification).Â
There are, of course, more information graphics both in domestic and international media, some of which can be seen in the excellent web site about visual journalism VisualJournalism.com maintained by Gert K. Nielsen.
Information Visualisation brings us closer to understanding the who and the what of this massacre, in a way that still surprises me for the ease with which we can understand not only the most numeric and â€ścoldâ€ť aspects but also the real tragedy of so many broken families.
The â€śwhyâ€ť of this savage deed belongs, in my opinion, to the sphere of irrationality since itâ€™s difficult to understand â€“with or without visualisation how someone can leave a bomb in a train loaded with normal people, young and old, students and workers, disappearing quietly while the lives of many families become destroyed. Families that, whoever the authors, had done nothing against them.
I would like to find a proper visualisation to help us understand that at this moment in time, when not only corporations but also terrorists become global, where mobile telephony serves to communicate with our loved ones but also to perform â€śselective killingsâ€ť, that thereâ€™s no need to have anymore dead, anywhere and for any reason.Â
These last few days Madrid is all of us.
I beg the readers, that could possibly contribute information graphics or references to the same, related to this topic, to send them either as a file or as a URL address to email@example.com with the objective of completing the infographic memorial of this sad event.
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